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Martin Sexton
Tickets $25.00
adv /
$27.00
dos
Doors 7:00 PM / Showtime 8:00 PM
Neptune Theater
- Seattle, WA
Fall Like Rain, Martin Sexton’s brand-new EP, finds this artist again asking relevant questions and challenging the status quo. Entertaining us all the while, he continues to call for unity in “One Voice Together” and adds: “In a world of warfare, peace is bad for business . . .” A timely cover of Buffalo Springfield’s “For What It’s Worth” reminds us it’s time to “stop, hey, what’s that sound, everybody look what’s going down.” On this record, the artist subtly and seamlessly blends infectious tunes with a powerful message. His “soul-marinated voice” (Rolling Stone) shimmers on the soaring falsetto on the title track: “I wanna feel, I wanna fall like rain, without the shelter, so I can see which way the wind is blowin’ today.” A native of Syracuse, New York, and the tenth of twelve children, Martin Sexton grew up in the 80's, uninterested in the music of the day, he fueled his dreams with the timeless sounds of classic rock and roll. As he discovered the dusty old vinyl in the basement left by one his big brothers, his musical fire was lit. Sexton eventually migrated to Boston, where he began to build his following singing on the streets of Harvard Square, gradually working his way through the scene. His 1992 collection of self-produced demo recordings, In The Journey, was recorded on an old 8-track in a friend's attic. He managed to sell 20,000 copies out of his guitar case.
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Railroad Earth
Tickets $25.00
adv /
$27.00
dos
Doors 7:00 PM / Showtime 8:00 PM
Neptune Theater
- Seattle, WA
Railroad Earth is one of America’s greatest bands playing today, plain and simple. They sing of our nation’s changing landscape and social ills with a commitment reminiscent of Woody Guthrie, while interpolating instrumental timbres that could have been pulled from Celtic or Cajun culture. And as anyone who has caught them live will attest, their concerts are imbued with the fire-in-the-belly passion of straight-ahead, blue collar rock & roll. Then there is the newest album from the New Jersey sextet, which is the most cohesive embodiment of their myriad gifts to date—hence the decision to simply call it Railroad Earth—showcasing nine new selections that draw strength and inspiration from an acknowledgment of our shared past, while also embracing new ideas and celebrating diversity… just like America when she is at her best.
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The Magnetic Fields
w/
Holcombe Waller
Tickets $29.00
adv /
$31.00
dos
Doors 7:00 PM / Showtime 8:00 PM
Neptune Theater
- Seattle, WA
The Magnetic Fields’ Love at the Bottom of the Sea will be released by Merge Records on March 6. The band’s tenth full-length album is their first release of new material with Merge since 1999’s highly acclaimed 69 Love Songs. The band will celebrate their new album with a North American tour that passes through the SXSW Music Showcase in Austin, Texas. After putting out three synthesizer-free albums, The Magnetic Fields are returning to the signature mix of synth and acoustic sounds they established in the 90s with Merge releases such as The Charm of the Highway Strip and Get Lost. Stephin Merritt has come back to the synth with a fresh approach: “Most of the synthesizers on the record didn’t exist when we were last using synthesizers,” he notes. The songs — none over three minutes long — were recorded in Los Angeles, San Francisco and New York with Merritt’s usual cast of collaborators: Claudia Gonson, Sam Davol, John Woo, Shirley Simms, Johny Blood and Daniel Handler. The Magnetic Fields’ debut album Distant Plastic Trees was released in 1991. In 1999, The Magnetic Fields’ three-CD collection, 69 Love Songs, established Stephin Merritt as one of his generation’s most talented songwriters. That breakthrough was followed by three albums on Nonesuch Records: i in 2004, Distortion in 2008 and Realism in 2010. Between Magnetic Fields releases, Merritt has recorded side projects and albums with his various other bands, Future Bible Heroes, the Gothic Archies and the 6ths, as well as soundtracks to the films Eban and Charley and Pieces of April. In 2006, Nonesuch also released a collection of songs Merritt wrote under the name The Gothic Archies to accompany the Lemony Snicket books, The Tragic Treasury: Songs from a Series of Unfortunate Events. In 2009, Merritt scored the Off-Broadway adaptation of Neil Gaiman’s novel Coraline.
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The Magnetic Fields
w/
Bachelorette
Tickets $29.00
adv /
$31.00
dos
Doors 7:00 PM / Showtime 8:00 PM
Neptune Theater
- Seattle, WA
The Magnetic Fields’ Love at the Bottom of the Sea will be released by Merge Records on March 6. The band’s tenth full-length album is their first release of new material with Merge since 1999’s highly acclaimed 69 Love Songs. The band will celebrate their new album with a North American tour that passes through the SXSW Music Showcase in Austin, Texas. After putting out three synthesizer-free albums, The Magnetic Fields are returning to the signature mix of synth and acoustic sounds they established in the 90s with Merge releases such as The Charm of the Highway Strip and Get Lost. Stephin Merritt has come back to the synth with a fresh approach: “Most of the synthesizers on the record didn’t exist when we were last using synthesizers,” he notes. The songs — none over three minutes long — were recorded in Los Angeles, San Francisco and New York with Merritt’s usual cast of collaborators: Claudia Gonson, Sam Davol, John Woo, Shirley Simms, Johny Blood and Daniel Handler. The Magnetic Fields’ debut album Distant Plastic Trees was released in 1991. In 1999, The Magnetic Fields’ three-CD collection, 69 Love Songs, established Stephin Merritt as one of his generation’s most talented songwriters. That breakthrough was followed by three albums on Nonesuch Records: i in 2004, Distortion in 2008 and Realism in 2010. Between Magnetic Fields releases, Merritt has recorded side projects and albums with his various other bands, Future Bible Heroes, the Gothic Archies and the 6ths, as well as soundtracks to the films Eban and Charley and Pieces of April. In 2006, Nonesuch also released a collection of songs Merritt wrote under the name The Gothic Archies to accompany the Lemony Snicket books, The Tragic Treasury: Songs from a Series of Unfortunate Events. In 2009, Merritt scored the Off-Broadway adaptation of Neil Gaiman’s novel Coraline.
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Carolina Chocolate Drops
Tickets $21.00
adv /
$25.00
dos
Doors 7:00 PM / Showtime 8:00 PM
The Showbox
- Seattle, WA
?North Carolina–based Carolina Chocolate Drops follow up their critically lauded label debut—2010’s Grammy Award - winning Genuine Negro Jig, which reached #1 on the Billboard Bluegrass Chart and #2 on the Billboard Heatseekers and Folk Charts - with Leaving Eden, due February 28 on Nonesuch Records. The group returns with a record of original compositions, covers, and traditional songs produced by Buddy Miller (Emmylou Harris, Robert Plant, Patty Griffin, Solomon Burke). The album is available for pre-order now at nonesuch.com and carolinachocolatedrops.com, where a download of the track “Country Girl” is included and the first 300 CDs will be signed by the band. Carolina Chocolate Drops will tour the US throughout the winter and spring. Carolina Chocolate Drops formed after founding members Dom Flemons, Rhiannon Giddens, and Justin Robinson met at a roots festival in 2005, and discovered a shared interest in traditional African-American string band music of the Piedmont region. In 2011 multi-instrumentalist Hubby Jenkins joined Flemons and Giddens in the group upon Robinson’s departure. The members share singing duties and swap instruments throughout their sets. (Cellist Leyla McCalla also joins the band on the record and on their upcoming tour.)
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Ani Difranco
w/
Seth Glier
Tickets $36.50
adv /
$36.50
dos
Doors 7:00 PM / Showtime 8:00 PM
The Showbox
- Seattle, WA
¿Which Side Are You On? marks DiFranco's first studio album in more than three years. The collection features 11 new songs alongside a radically reworked rendition of the classic title song, famously popularized by the one and only Pete Seeger nearly five decades ago, but no less relevant today. Backing DiFranco is a remarkably diverse line-up of stellar musicians, including members of her own crack touring band as well as such guest players as Ivan and Cyril Neville (of New Orleans' first family of funk and R&B, The Neville Brothers), avant-saxophonist Skerik (Pearl Jam, R.E.M., Bonnie Raitt, The Meters), acclaimed singer/songwriter and Righteous Babe Anaïs Mitchell, guitarist Adam Levy (Norah Jones, Tracy Chapman, Amos Lee), and a host of New Orleans-based horn players known for their work in such outfits as Galactic, Bonerama, and The Rebirth Brass Band.
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Andrew Bird
w/
Laura Marling
Tickets $27.50/$32.50/$37.50
adv /
dos
Doors 7:00 PM / Showtime 8:00 PM
Paramount Theater
- Seattle, WA
Andrew Bird's much-anticipated twelfth album, Break It Yourself, is due March 6 on Mom + Pop. Produced by Bird, the album was recorded at his barn in Western Illinois near the banks of the Mississippi River. Bird will celebrate the release of Break It Yourself with a North American tour set to kick off in mid-March. Tickets will be available for pre-sale via andrewbird.net beginning December 6 and will be available via major ticket outlets December 9-10.All concert tickets are bundled with a redemption code to download Break It Yourself upon release date. Ticketbuyers will also receive a download of Fake Conversations - a live EP culled from Bird's fall 2011 tour - and a second live EP from the Spring 2012 tour. US fans who don't live in upcoming tour markets will be able to buy the album/live EP bundle as part of a standalone pre-order. Break It Yourself will also be available in a deluxe edition vinyl package.
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Dar Williams
Tickets $35.00
adv /
$35.00
dos
Doors 5:30 PM / Showtime 7:00 PM
Triple Door
- Seattle, WA
On one level, the sizable body of work accumulated by celebrated writer/artist Dar Williams is a continuing narrative of her life - what she's experienced and what she's observed during her years of intensive touring. On another, it forms a detailed look at the course of modern-day existence in the decade and a half between 1993, when Williams released her debut album, The Honesty Room, and 2008, when her longtime label Razor & Tie released her seventh and most recent studio album, Promised Land. Throughout her career, Williams has employed a reporter's keen eye and a fiction writer's feel for nuance in the act of confronting what she's described as "the big picture of how people approach life," doing by examining and illuminating the minute details.
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Bodeans
Tickets $37.00
adv /
$39.00
dos
Doors 6:30 PM / Showtime 7:30 PM
Triple Door
- Seattle, WA
Twenty five years after their T-Bone Burnett produced debut Love & Hope & Sex & Dreams led them to win a Rolling Stone reader’s poll as “Best New American Band,” The BoDeans are still rocking and harmonizing gracefully, touring the U.S. regularly and exposing the kids of their longtime steadfast fans to real, heartfelt and trend-free music. Best known for their mid-90’s Billboard Top 20 hit anthem “Closer To Free,” which became the theme song for Fox’s “Party Of Five,” Kurt Neumann (vocals and electric guitar) is still focused on, “writing songs that bring good things to the world.” The new album, Indigo Dreams, is a salute to the working man – his dreams, his desires, his love, his responsibilities, his ethos.
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